Optimo
 
 

CEO

Light
Light Italic
Regular
Italic
Bold
Bold Italic
Black
Black Italic
 

OpenType Features

Case Sensitive Forms

More Information
All Caps [cpsp]
Case Sensitive Forms [case]

This function formats the text in uppercase and adjusts spacing between all capital letters. It also applies the ‘Case Sensitive Forms’ feature which replaces certain characters with alternates that are better suited for all capital text, especially related to punctuation.

«Optimo»
[x]=(4÷7+8)
|¦()[]{}‹›«»
-–—+÷=±×-¬
«OPTIMO»
[X]=(4÷7+8)
|¦()[]{}‹›«»
-–—+÷=±×-¬

Contextual Alternates

More Information
[calt]

This feature adapts the position of a glyph after its surrounding context. For instance, a dash placed between two uppercase letters or numbers will be replaced by an uppercase version of the dash, slightly higher. This feature is usually active by default in Adobe applications.

A-A B0 12
-> <- 5x5
A-A B0 12
-> <- 5x5

Prebuilt Fractions

More Information
Fractions [frac]

All Optimo fonts have at least three basic pre-built fractions (1/2, 1/4, 3/4).

1/2 1/4 3/4 0/0 0/00
1/2 1/4 3/4 0/0 0/00

Ordinals

More Information
Ordinals [ordn]

This feature replaces any letter following a numeral with its matching superior letters. Spanish, Portuguese and Italian language uses the feminine and masculine ordinal indicators such as ‘a’ for for 1º, 1ª. Ordinals are designed to match the weight of the typeface.

2a 2o
2a 2o
 

Character Map

Uppercases

A
AAU+0041
B
BBU+0042
C
CCU+0043
D
DDU+0044
E
EEU+0045
F
FFU+0046
G
GGU+0047
H
HHU+0048
I
IIU+0049
J
JJU+004a
K
KKU+004b
L
LLU+004c
M
MMU+004d
N
NNU+004e
O
OOU+004f
P
PPU+0050
Q
QQU+0051
R
RRU+0052
S
SSU+0053
T
TTU+0054
U
UUU+0055
V
VVU+0056
W
WWU+0057
X
XXU+0058
Y
YYU+0059
Z
ZZU+005a

Accented Uppercases

À
ÀA graveU+00c0
Á
ÁA acuteU+00c1
Â
ÂA circumflexU+00c2
Ã
ÃA tildeU+00c3
Ä
ÄA dieresisU+00c4
Å
ÅA ringU+00c5
Æ
ÆÆU+00c6
Ç
ÇC cedillaU+00c7
Ð
ÐEthU+00d0
È
ÈE graveU+00c8
É
ÉE acuteU+00c9
Ê
ÊE circumflexU+00ca
Ë
ËE dieresisU+00cb
Ì
ÌI graveU+00cc
Í
ÍI acuteU+00cd
Î
ÎI circumflexU+00ce
Ï
ÏI dieresisU+00cf
Ñ
ÑN tildeU+00d1
Ò
ÒO graveU+00d2
Ó
ÓO acuteU+00d3
Ô
ÔO circumflexU+00d4
Õ
ÕO tildeU+00d5
Ö
ÖO dieresisU+00d6
Ø
ØO slashU+00d8
Œ
ŒŒU+0152
Þ
ÞThornU+00de
Ù
ÙU graveU+00d9
Ú
ÚU acuteU+00da
Û
ÛU circumflexU+00db
Ü
ÜU dieresisU+00dc
Ý
ÝY acuteU+00dd
Ÿ
ŸY dieresisU+0178

Accented Lowercases

à
àa graveU+00e0
á
áa acuteU+00e1
â
âa circumflexU+00e2
ã
ãa tildeU+00e3
ä
äa dieresisU+00e4
å
åa ringU+00e5
æ
ææU+00e6
ç
çc cedillaU+00e7
è
èe graveU+00e8
é
ée acuteU+00e9
ê
êe circumflexU+00ea
ë
ëe dieresisU+00eb
ì
ìi graveU+00ec
í
íi acuteU+00ed
î
îi circumflexU+00ee
ï
ïi dieresisU+00ef
ñ
ñn tildeU+00f1
ò
òo graveU+00f2
ó
óo acuteU+00f3
ô
ôo circumflexU+00f4
õ
õo tildeU+00f5
ö
öo dieresisU+00f6
ø
øo slashU+00f8
œ
œœU+0153
þ
þthornU+00fe
ß
ßsharp sU+00df
ù
ùu graveU+00f9
ú
úu acuteU+00fa
û
ûu circumflexU+00fb
ü
üu dieresisU+00fc
ý
ýy acuteU+00fd
ÿ
ÿy dieresisU+00ff
ð
ðethU+00f0
þ
þthornU+00fe

Lowercases

a
aaU+0061
b
bbU+0062
c
ccU+0063
d
ddU+0064
e
eeU+0065
f
ffU+0066
g
ggU+0067
h
hhU+0068
i
iiU+0069
j
jjU+006a
k
kkU+006b
l
llU+006c
m
mmU+006d
n
nn superscriptU+006e
o
ooU+006f
p
ppU+0070
q
qqU+0071
r
rrU+0072
s
ssU+0073
t
ttU+0074
u
uuU+0075
v
vvU+0076
w
wwU+0077
x
xxU+0078
y
yyU+0079
z
zzU+007a

Punctuation

-
-hyphenU+002d
en dashU+2013
em dashU+2014
(
(parenthesis leftU+0028
)
)parenthesis rightU+0029
[
[bracket leftU+005b
]
]bracket rightU+005d
{
{curly bracket leftU+007b
}
}curly bracket rightU+007d
guillemot single leftU+2039
guillemot single rightU+203a
«
«guillemot leftU+00ab
»
»guillemot rightU+00bb
|
|barU+007c
¦
¦broken barU+00a6
·
·period centeredU+00b7
@
@atU+0040
¡
¡exclam downU+00a1
¿
¿question downU+00bf
!
!exclamU+0021
?
?questionU+003f
.
.periodU+002e
:
:colonU+003a
,
,commaU+002c
;
;semicolonU+003b
ellipsisU+2026
_
_underscoreU+005f
quote leftU+2018
quote rightU+2019
quote double leftU+201c
quote double rightU+201d
quote single baseU+201a
quote double baseU+201e
'
'quote singleU+0027
"
"quote doubleU+0022
bulletU+2022
/
/slashU+002f
\
\back slashU+005c

Lining Figures

0
0zero figureU+0030
1
1one figureU+0031
2
2two figureU+0032
3
3three figureU+0033
4
4four figureU+0034
5
5five figureU+0035
6
6six figureU+0036
7
7seven figureU+0037
8
8eight figureU+0038
9
9nine figureU+0039

Prebuilt Fractions

¼
¼one quarterU+00bc
½
½one halfU+00bd
¾
¾three quartersU+00be

Symbols

&
&ampersandU+0026
%
%percentU+0025
©
©copyrightU+00a9
®
®registeredU+00ae
trademarkU+2122
°
°degreeU+00b0
§
§sectionU+00a7
paragraphU+00b6
*
*asteriskU+002a
#
#number signU+0023

Mathematical Symbols

+
+plusU+002b
±
±plus minusU+00b1
×
×multiplyU+00d7
÷
÷divideU+00f7
=
=equalU+003d
<
<lessU+003c
>
>greaterU+003e
¬
¬logical notU+00ac
µ
µmuU+00b5

Currencies

$
$dollarU+0024
¢
¢centU+00a2
£
£pound sterlingU+00a3
¥
¥Japanese yen/Chinese yuanU+00a5
euroU+20ac

Ordinals

ª
ªordfeminieU+00aa
º
ºordmasculineU+00ba
 

About

CEO captures the modernist fancy of the characters generated by the last mechanical typewriter from the 1960s, Olympia. This monospaced typeface evokes the visionary ideas and the exploration of new modular forms that were characteristic of the era and both of which were completely detached from the typography printed in books.

CEO’s design is inspired by the typeface Senatorial #71, which was available on some Olympia typewriter models. Olympia was developed in Berlin under the direction of European General Electric (AEG). First produced in 1903, Olympia enjoyed increased success in the late forties and was eventually discontinued in 1992.

CEO is based on an almost rectangular module, which brings a certain authoritativeness and systematic quality to the project. Carefully drawn, this geometric typeface developed into an unusually smooth and somewhat “organic” project—especially through its particular angular curves and slightly rounded stems and terminals. An emphasis is placed on punctuation and special characters, which are reminiscent of the alphabet drawn for magnetic-ink character recognition technology.

About