Optimo
 
 

Material

Headline
 

OpenType Features

 

Character Map

Uppercases

A
AAU+0041
B
BBU+0042
C
CCU+0043
D
DDU+0044
E
EEU+0045
F
FFU+0046
G
GGU+0047
H
HHU+0048
I
IIU+0049
J
JJU+004a
K
KKU+004b
L
LLU+004c
M
MMU+004d
N
NNU+004e
O
OOU+004f
P
PPU+0050
Q
QQU+0051
R
RRU+0052
S
SSU+0053
T
TTU+0054
U
UUU+0055
V
VVU+0056
W
WWU+0057
X
XXU+0058
Y
YYU+0059
Z
ZZU+005a

Accented Uppercases

À
ÀA graveU+00c0
Á
ÁA acuteU+00c1
Â
ÂA circumflexU+00c2
Ã
ÃA tildeU+00c3
Ä
ÄA dieresisU+00c4
Å
ÅA ringU+00c5
Æ
ÆÆU+00c6
Ç
ÇC cedillaU+00c7
Ð
ÐEthU+00d0
È
ÈE graveU+00c8
É
ÉE acuteU+00c9
Ê
ÊE circumflexU+00ca
Ë
ËE dieresisU+00cb
Ì
ÌI graveU+00cc
Í
ÍI acuteU+00cd
Î
ÎI circumflexU+00ce
Ï
ÏI dieresisU+00cf
Ñ
ÑN tildeU+00d1
Ò
ÒO graveU+00d2
Ó
ÓO acuteU+00d3
Ô
ÔO circumflexU+00d4
Õ
ÕO tildeU+00d5
Ö
ÖO dieresisU+00d6
Ø
ØO slashU+00d8
Œ
ŒŒU+0152
Þ
ÞThornU+00de
Ù
ÙU graveU+00d9
Ú
ÚU acuteU+00da
Û
ÛU circumflexU+00db
Ü
ÜU dieresisU+00dc
Ý
ÝY acuteU+00dd
Ÿ
ŸY dieresisU+0178

Accented Lowercases

à
àa graveU+00e0
á
áa acuteU+00e1
â
âa circumflexU+00e2
ã
ãa tildeU+00e3
ä
äa dieresisU+00e4
å
åa ringU+00e5
æ
ææU+00e6
ç
çc cedillaU+00e7
è
èe graveU+00e8
é
ée acuteU+00e9
ê
êe circumflexU+00ea
ë
ëe dieresisU+00eb
ì
ìi graveU+00ec
í
íi acuteU+00ed
î
îi circumflexU+00ee
ï
ïi dieresisU+00ef
ñ
ñn tildeU+00f1
ò
òo graveU+00f2
ó
óo acuteU+00f3
ô
ôo circumflexU+00f4
õ
õo tildeU+00f5
ö
öo dieresisU+00f6
ø
øo slashU+00f8
œ
œœU+0153
þ
þthornU+00fe
ß
ßsharp sU+00df
ù
ùu graveU+00f9
ú
úu acuteU+00fa
û
ûu circumflexU+00fb
ü
üu dieresisU+00fc
ý
ýy acuteU+00fd
ÿ
ÿy dieresisU+00ff
ð
ðethU+00f0
þ
þthornU+00fe

Lowercases

a
aaU+0061
b
bbU+0062
c
ccU+0063
d
ddU+0064
e
eeU+0065
f
ffU+0066
g
ggU+0067
h
hhU+0068
i
iiU+0069
j
jjU+006a
k
kkU+006b
l
llU+006c
m
mmU+006d
n
nn superscriptU+006e
o
ooU+006f
p
ppU+0070
q
qqU+0071
r
rrU+0072
s
ssU+0073
t
ttU+0074
u
uuU+0075
v
vvU+0076
w
wwU+0077
x
xxU+0078
y
yyU+0079
z
zzU+007a

Punctuation

-
-hyphenU+002d
en dashU+2013
em dashU+2014
(
(parenthesis leftU+0028
)
)parenthesis rightU+0029
[
[bracket leftU+005b
]
]bracket rightU+005d
{
{curly bracket leftU+007b
}
}curly bracket rightU+007d
guillemot single leftU+2039
guillemot single rightU+203a
«
«guillemot leftU+00ab
»
»guillemot rightU+00bb
|
|barU+007c
¦
¦broken barU+00a6
·
·period centeredU+00b7
@
@atU+0040
¡
¡exclam downU+00a1
¿
¿question downU+00bf
!
!exclamU+0021
?
?questionU+003f
.
.periodU+002e
:
:colonU+003a
,
,commaU+002c
;
;semicolonU+003b
ellipsisU+2026
_
_underscoreU+005f
quote leftU+2018
quote rightU+2019
quote double leftU+201c
quote double rightU+201d
quote single baseU+201a
quote double baseU+201e
'
'quote singleU+0027
"
"quote doubleU+0022
bulletU+2022
/
/slashU+002f
\
\back slashU+005c

Lining Figures

0
0zero figureU+0030
1
1one figureU+0031
2
2two figureU+0032
3
3three figureU+0033
4
4four figureU+0034
5
5five figureU+0035
6
6six figureU+0036
7
7seven figureU+0037
8
8eight figureU+0038
9
9nine figureU+0039

Prebuilt Fractions

¼
¼one quarterU+00bc
½
½one halfU+00bd
¾
¾three quartersU+00be

Symbols

&
&ampersandU+0026
%
%percentU+0025
©
©copyrightU+00a9
®
®registeredU+00ae
trademarkU+2122
°
°degreeU+00b0
§
§sectionU+00a7
paragraphU+00b6
*
*asteriskU+002a
#
#number signU+0023

Mathematical Symbols

+
+plusU+002b
±
±plus minusU+00b1
×
×multiplyU+00d7
÷
÷divideU+00f7
=
=equalU+003d
<
<lessU+003c
>
>greaterU+003e
¬
¬logical notU+00ac
µ
µmuU+00b5

Currencies

$
$dollarU+0024
¢
¢centU+00a2
£
£pound sterlingU+00a3
¥
¥Japanese yen/Chinese yuanU+00a5
euroU+20ac
 

About

Material is a contemporary slab-serif typeface designed by Nicolas Eigenheer. Originally inspired by Breite fette Egyptienne from the Bauer Foundry, its shapes have been acutely redefined with a modern attitude.

Breite fette Egyptienne is actually a replica of Vincent Figgins’s Antique, which is considered by some to be one of the first examples of a slab-serif type. An apt reflection of the Industrial Revolution, these early heavy slab-serif types (also called Egyptian types) were used primarily on advertisements and hoardings. Much like its inspiration, Material is an attention-grabbing typeface and will serve outstandingly well for any headline or display tasks.

The design of Material’s glyphs is characterized by its combination of precise curves and geometric brutality with a moderate stroke contrast, which is, however, pushed to extremes around junctions. It features distinctive heavy and unbracketed slab serifs, typical of Egyptian types. While offering a sharp contrast to the massive letters, the unconventional light design of the punctuation strengthens the legibility of this typeface.

About