Every word could be a logotype. Text composes effortlessly balanced lines. Plain works from footnote to poster sizes. The graphic aesthetic is unique yet universal.
Plain investigates the rational simplicity of modernism and brings it to a new level of achievement. Few typefaces achieve this state of visual alchemy, which is epitomized by the classic Helvetica from times in which photo lettering was ubiquitous. Plain is incredibly fluid thanks to a drawing that is neither constrained by a geometrical approach nor structured according to the idiosyncrasy of the stroke. Glyphs are designed optically as plain surfaces and, beneath an apparent modern simplicity, their dynamic interactions create a distinct identity.
Plain is the accomplishment of years of research by François Rappo, whose Theinhardt family had set a milestone in revivalist Grotesque typeface design. Plain comes in an exceptionally large range of weights offering to graphic designers a multi-sided tool, ready to prove its utility.
Plain 24 styles
Case Sensitive Forms

All Caps [cpsp]

Case Sensitive Forms [case]
This function formats the text in uppercase and adjusts spacing between all capital letters. It also applies the ‘Case Sensitive Forms’ feature which replaces certain characters with alternates that are better suited for all capital text, especially related to punctuation.
«Optimo»
@|¦()[]{}¿¡‹›«»-–—·
«OPTIMO»
@|¦()[]{}¿¡‹›«»-–—·
Contextual Alternates

This feature adapts the position of a glyph after its surrounding context. For instance, a dash placed between two uppercase letters or numbers will be replaced by an uppercase version of the dash, slightly higher. This feature is usually active by default in Adobe applications.
Tabular Lining Figures

Based on the proportions of the capitals, lining figures have an invariable height. With the combination of the tabular spacing format, the width of each numeral is uniformized. This feature is useful when numerals need to all lined up. It facilitates the reading of numbers set within columns or tables. As some applications don’t have access to this feature, proportional figures are set as the default choice.
Proportional Oldstyle Figures

Based on the design of the lowercase, oldstyle figures have varying ascenders and descenders. Like most of the letters, each number has an appropriate width based on its shape. The combination of oldstyle figures with proportional setting generate numerals perfectly adapted for text.
Tabular Oldstyle Figures

Based on the design of the lowercase, oldstyle figures have varying ascenders and descenders. With the combination of the tabular spacing format, the width of each numeral is uniformized. This feature is useful when numerals need to all lined up. It facilitates the reading of numbers set within columns or tables.
Fractions

With this feature, any numbers separated by a slash will automatically turn into a fraction. To fit in fraction configuration, numerals have been designed smaller and their weights have been adjusted to suit the typeface.
3/4 3/8 5/8 7/8
3/4 3/8 5/8 7/8
Ordinals

This feature replaces any letter following a numeral with its matching superior letters. French language uses the ordinal indicators such as ‘er’ for 1er premier, while Spanish, Portuguese and Italian require the feminine and masculine ordinals ‘a,’ ‘o’ for 1º, 1ª. Ordinals are designed to match the weight of the typeface.
Slashed Zero

Originally created to avoid the confusion between the ‘0’ and the ‘O’, this feature substitutes all zeros in a selected text by a slashed form of the zero.
Slashed Zero Oldstyle

Originally created to avoid the confusion between the ‘0’ and the ‘O’, this feature substitutes all zeros in a selected text by a slashed form of the zero.

Tabular figures are all of equal width. They are only needed when the figures must all line up from one line to the next, as in a table. Proportional figures have varying widths, just like most letters; each number has a width appropriate to its design. Lining figures are all the same height, usually similar to that of capital letters. They are needed for use with all-capital settings.
Numerators

This feature substitutes glyphs with their matching smaller alternates. The numerators are the same glyphs that are used to create fractions, their vertical position remains within the capital letters height. These glyphs are reduced in size and designed slightly heavier to keep them consistent with the rest of the font.
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Denominators

This feature substitutes glyphs with their matching smaller alternates and low position glyphs. The denominators are the same glyphs that are used to create fractions, their vertical position remains within the base line. These glyphs are reduced in size and designed slightly heavier to keep them consistent with the rest of the font.
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Superscript/Superiors

This feature substitutes glyphs with their matching smaller alternates which are set slightly above the height of the capital letters. These glyphs are reduced in size and designed slightly heavier to keep them consistent with the rest of the font.
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Subscript/Inferiors

This feature substitutes glyphs with their matching smaller alternates which are set slightly below the baseline. These glyphs are reduced in size and designed slightly heavier to keep them consistent with the rest of the font.
Habcdefghijklmno
Hpqrstuvwxyz()[].,
Habcdefghijklmno
Hpqrstuvwxyz()[].,
Standard Ligatures

Standard ligatures replaces a sequence of characters with a single ligature glyph, they are designed to improve kerning and readability of certain letter pairs.
Discretionary Ligatures

This feature activates discretionary ligatures which are specific to the typeface. It applies all other designed ligatures that are not classified as standard ligatures.
Lowercase math symbols

This feature activates alternate lowercase positioning of mathematical symbols.
up+down
+±×÷−=≈≠¬∞
up+down
+±×÷−=≈≠¬∞
Multiply sign

This feature substitutes the letter “x” into the multiplication sign.