Theinhardt Pan
OpenType Features
«Optimo»
@|¦()[]{}¿¡‹›«»-–—·
«OPTIMO»
@|¦()[]{}¿¡‹›«»-–—·
български
ДЛФвгджзий
ѝклптцшщю
български
ДЛФвгджзий
ѝклптцшщю
б
Добро јутро
б
Добро јутро
погледајте
бгдптш
погледајте
бгдптш
0123456789
0123456789
3/4 3/8 5/8 7/8
3/4 3/8 5/8 7/8
H0123456789()[]
Habcdefghijklmn
Hopqrstuvwxyz
H0123456789()[]
Habcdefghijklmn
Hopqrstuvwxyz
H0123456789()[]
Habcdefghijklmn
Hopqrstuvwxyz
H0123456789()[]
Habcdefghijklmn
Hopqrstuvwxyz
Habcdefghijklmn
Hopqrstuvwxyz()[]
Habcdefghijklmn
Hopqrstuvwxyz()[]
Habcdefghijklmno
Hpqrstuvwxyz()[]
Habcdefghijklmno
Hpqrstuvwxyz()[]
s
s
up+down
+±×÷−=≈≠¬∞
up+down
+±×÷−=≈≠¬∞
Character Map
Uppercases
Uppercases Cyrillic
Lowercases Cyrillic
Uppercases Greek
Lowercases Greek
Accented Uppercases
Accented Lowercases
Additional Uppercases Cyrillic
Additional Lowercases Cyrillic
Bulgarian Alternates
Serbian Alternate
Lowercases
Stylistic Alternates
Standard Ligatures
Punctuation
Greek Punctuation
Lining Figures
Oldstyle Figures
Slashed Zero
Numerators
Denominators
Superscripts/Superiors
Subscripts/Inferiors
Prebuilt Fractions
Symbols
Mathematical Symbols
Currencies
Arrows
Ordinals
About
Theinhardt Pan offers an extended character set, which supports languages that use Cyrillic and Greek alphabets, in addition to those which use the Latin alphabet. It provides accurate and genuine letterforms created for international communication.
A milestone in the development of grotesque type design, Theinhardt was designed by François Rappo, after studying the origins of sans-serif typefaces emerging from the late nineteenth and the early twentieth centuries. The typeface is named after Ferdinand Theinhardt, whose visionary approach significantly shaped modern typography as he opened a new range of possibilities for the grotesque genre—scholars are continuing to uncover details about this fascinating typographic saga. Theinhardt was released nearly fifty years after the revolutionary arrival of neo-grotesque typefaces, which thrived in the Swiss-style context. Looking at this fantastic line of descent, François Rappo meticulously created a new typeface, valorizing the quality and heritage of its sans-serif ancestors.
Theinhardt is composed of nine complementary weights, each masterfully drawn with their corresponding italics and offering a wide range of possibilities. A solid and well-proven typeface Theinhardt combines the best historical features of early grotesque typefaces in a contemporary adaptation fit for extensive modern usage. It is “the original grotesque” par excellence.