Tiny Gothic
OpenType Features
«Optimo»
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«OPTIMO»
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ÌÍÎ Ĩ Ï Ī ĬİĮIJĴŔŘŖ
àáâãäāăåąĝğġģ
ijĵȷŕřŗťţțŧỳýŷÿ
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ÌÍÎ Ĩ Ï Ī ĬİĮIJĴŔŘŖ
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ÀÁÂÃÄĀĂÅĄÆǼĶ
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ķťţțŧẁẃŵẅỳýŷÿ
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ķťţțŧẁẃŵẅỳýŷÿ
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Q&aty5
àáâãäāăåǻą
ťţțŧỳýŷÿ
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ťţțŧỳýŷÿ
R ŔŘŖ
R ŔŘŖ
ÀÁÂÃĀĂĄǼĆĈČÇĎÈÉÊĚĒĔĘ
ĜĞĤÌÍÎĨĪĬĮIJĴĹĽŃŇÑŊÒÓÔÕŌŎŐǾ
ŔŘŜŠŞŤŢÙÚÛŨŪŬŰŲẀẂŴỲÝŶŹŽ
àáâãāăąǽćĉčçďèéêěēĕęĝğĥìíîĩīĭįĵ
ĺľńňñòóôõōŏőǿŕřśŝšşťţùúûũūŭűų
ẁẃŵỳýŷźž
ÀÁÂÃĀĂĄǼĆĈČÇĎÈÉÊĚĒĔĘ
ĜĞĤÌÍÎĨĪĬĮIJĴĹĽŃŇÑŊÒÓÔÕŌŎŐǾ
ŔŘŜŠŞŤŢÙÚÛŨŪŬŰŲẀẂŴỲÝŶŹŽ
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ĺľńňñòóôõōŏőǿŕřśŝšşťţùúûũūŭűų
ẁẃŵỳýŷźž
0123456789
0123456789
3/4 3/8 5/8 7/8
3/4 3/8 5/8 7/8
0123456789
0123456789
257
257
0123456789
0123456789
257
257
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Habcdefghijklmn
Hopqrstuvwxyz()[].,
Habcdefghijklmno
Hpqrstuvwxyz()[].,
Habcdefghijklmno
Hpqrstuvwxyz()[].,
up+down
+±×÷−=≈≠¬∞
up+down
+±×÷−=≈≠¬∞
abcdefgh
ijklmnop
qrstu
vwxyz
ABCDEF
GHIJKLM
NOPQR
STUVWXYZ
012345678
!"#$%&'()
+,-./:;<=
>?@[\]^_
`{|}*9
abcdefgh
ijklmnop
qrstu
vwxyz
ABCDEF
GHIJKLM
NOPQR
STUVWXYZ
012345678
!"#$%&'()
+,-./:;<=
>?@[\]^_
`{|}*9
Character Map
Uppercases
Accented Uppercases
Accented Lowercases
Lowercases
Standard Ligatures
Punctuation
Lining Figures
Slashed Zero
Numerators
Denominators
Superscripts/Superiors
Subscripts/Inferiors
Circled Numbers
Black Circled Numbers
Prebuilt Fractions
Stylistic Alternates
Symbols
Mathematical Symbols
Currencies
Arrows
Ordinals
Pictograms
About
Tiny Gothic stands tall with its lively character. It was inspired by the ingenious solutions of punchcutters who crafted typefaces for optimal legibility at minute sizes. With its inviting warmth and practical functionality, Tiny Gothic boasts a high level of readability, harmonious forms, and playful features. From expressive to rational aesthetics, its stylistic sets offer a range of options which convey a variety of moods.
Driven by a fervent dedication to explore the intricacies of letterforms, François Rappo has garnered an expertise in the world of grotesque typefaces within the metal era. Following this comprehensive survey, he adeptly uncovers, reinterprets, and seamlessly integrates ideas from radical, original, and often exuberant engravers, all while maintaining an unwavering focus on the essential element of legibility, into Tiny Gothic. Small but mighty—as the adage goes!