Optimo
 
 

Didot Elder

Regular
Italic
Book
Book Italic
Bold
Bold Italic

Didot Elder Display

Display Regular
 

OpenType Features

Case Sensitive Forms

More Information

All Caps [cpsp]

This function formats the text in uppercase and adjusts spacing between all capital letters. It also applies the ‘Case Sensitive Forms’ feature which replaces certain characters with alternates that are better suited for all capital text, especially related to punctuation.

«Optimo»
(47+8)
(){}‹›«»-–—
+±÷−=≠¬

«Optimo»
(47+8)
(){}‹›«»-–—
+±÷−=≠¬

Contextual Alternates

More Information
Contextual Alternates [calt]

This feature adapts the position of a glyph after its surrounding context. For instance, a dash placed between two uppercase letters or numbers will be replaced by an uppercase version of the dash, slightly higher. This feature is usually active by default in Adobe applications.

A-A B0 12
A-A B0 12

Contextual Alternates

More Information
[calt]

This feature adapts the position of a glyph after its surrounding context. This feature is usually active by default in Adobe applications.

5x5
5x5

Tabular Lining Figures

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Tabular Lining Figures [tnum–lnum]

Based on the proportions of the capitals, lining figures have an invariable height. With the combination of the tabular spacing format, the width of each numeral is uniformized. This feature is useful when numerals need to all lined up. It facilitates the reading of numbers set within columns or tables. As some applications don’t have access to this feature, proportional figures are set as the default choice.

0123456789

0123456789

Proportional Oldstyle Figures

More Information
Proportional Oldstyle Figures [pnum–onum]

Based on the design of the lowercase, oldstyle figures have varying ascenders and descenders. Like most of the letters, each number has an appropriate width based on its shape. The combination of oldstyle figures with proportional setting generate numerals perfectly adapted for text.

0123456789
0123456789

Tabular Oldstyle Figures

More Information
Tabular Oldstyle Figures [tnum–onum]

Based on the design of the lowercase, oldstyle figures have varying ascenders and descenders. With the combination of the tabular spacing format, the width of each numeral is uniformized. This feature is useful when numerals need to all lined up. It facilitates the reading of numbers set within columns or tables.

0123456789
0123456789

Fractions

More Information
Fractions [frac]

With this feature, any numbers separated by a slash will automatically turn into a fraction. To fit in fraction configuration, numerals have been designed smaller and their weights have been adjusted to suit the typeface.

1/2 1/3 2/3 1/4
3/3/8 5/8 7/8
1/2 1/3 2/3 1/4
3/3/8 5/8 7/8

Ordinals

More Information
Ordinals [ordn]

This feature replaces any letter following a numeral with its matching superior letters. Spanish, Portuguese and Italian language uses the feminine and masculine ordinal indicators such as ‘a’ for for 1º, 1ª. Ordinals are designed to match the weight of the typeface.

2a 2o
2a 2o

Numerators

More Information
Numerators [numr]

This feature substitutes glyphs with their matching smaller alternates. The numerators are the same glyphs that are used to create fractions, their vertical position remains within the capital letters height. These glyphs are reduced in size and designed slightly heavier to keep them consistent with the rest of the font.

H0123456789
H0123456789

Denominators

More Information
Denominators [dnom]

This feature substitutes glyphs with their matching smaller alternates and low position glyphs. The denominators are the same glyphs that are used to create fractions, their vertical position remains within the base line. These glyphs are reduced in size and designed slightly heavier to keep them consistent with the rest of the font.

H0123456789
H0123456789

Superscript/Superiors

More Information
Superscript / Superiors [sups]

This feature substitutes glyphs with their matching smaller alternates which are set slightly above the height of the capital letters. These glyphs are reduced in size and designed slightly heavier to keep them consistent with the rest of the font.

H0123456789
Habcdefghijklm
Hnopqrstuvwxyz
H0123456789
Habcdefghijklm
Hnopqrstuvwxyz

Standard Ligatures

More Information
Standard Ligatures [liga]

Standard ligatures replaces a sequence of characters with a single ligature glyph, they are designed to improve kerning and readability of certain letter pairs.

fi fl
fi fl
 

Character Map

Uppercases

A
AAU+0041
B
BBU+0042
C
CCU+0043
D
DDU+0044
E
EEU+0045
F
FFU+0046
G
GGU+0047
H
HHU+0048
I
IIU+0049
J
JJU+004a
K
KKU+004b
L
LLU+004c
M
MMU+004d
N
NNU+004e
O
OOU+004f
P
PPU+0050
Q
QQU+0051
R
RRU+0052
S
SSU+0053
T
TTU+0054
U
UUU+0055
V
VVU+0056
W
WWU+0057
X
XXU+0058
Y
YYU+0059
Z
ZZU+005a

Accented Uppercases

À
ÀA graveU+00c0
Á
ÁA acuteU+00c1
Â
ÂA circumflexU+00c2
Ã
ÃA tildeU+00c3
Ä
ÄA dieresisU+00c4
Ā
ĀA macronU+0100
Ă
ĂA breveU+0102
Å
ÅA ringU+00c5
Ą
ĄA ogonekU+0104
Æ
ÆÆU+00c6
Ǽ
ǼÆ acuteU+01fc
Ć
ĆC acuteU+0106
Ĉ
ĈC circumflexU+0108
Č
ČC caronU+010c
Ċ
ĊC dot accentU+010a
Ç
ÇC cedillaU+00c7
Ď
ĎD caronU+010e
Đ
ĐDcroatU+0110
Ð
ÐEthU+00d0
È
ÈE graveU+00c8
É
ÉE acuteU+00c9
Ê
ÊE circumflexU+00ca
Ě
ĚE caronU+011a
Ë
ËE dieresisU+00cb
Ē
ĒE macronU+0112
Ĕ
ĔE breveU+0114
Ė
ĖE dot accentU+0116
Ę
ĘE ogonekU+0118
Ĝ
ĜG circumflexU+011c
Ğ
ĞG breveU+011e
Ġ
ĠG dot accentU+0120
Ģ
ĢG comma accentU+0122
Ĥ
ĤH circumflexU+0124
Ħ
ĦH barU+0126
Ì
ÌI graveU+00cc
Í
ÍI acuteU+00cd
Î
ÎI circumflexU+00ce
Ĩ
ĨI tildeU+0128
Ï
ÏI dieresisU+00cf
Ī
ĪI macronU+012a
Ĭ
ĬI breveU+012c
İ
İI dot accentU+0130
Į
ĮI ogonekU+012e
IJ
IJIJU+0132
Ĵ
ĴJ circumflexU+0134
Ķ
ĶK comma accentU+0136
Ĺ
ĹL acuteU+0139
Ľ
ĽL caronU+013d
Ļ
ĻL comma accentU+013b
Ł
ŁL slashU+0141
Ŀ
ĿL dotU+013f
Ń
ŃN acuteU+0143
Ň
ŇN caronU+0147
Ñ
ÑN tildeU+00d1
Ņ
ŅN comma accentU+0145
Ŋ
ŊEngU+014a
Ò
ÒO graveU+00d2
Ó
ÓO acuteU+00d3
Ô
ÔO circumflexU+00d4
Õ
ÕO tildeU+00d5
Ö
ÖO dieresisU+00d6
Ō
ŌO macronU+014c
Ŏ
ŎO breveU+014e
Ő
ŐO hungarumlautU+0150
Ø
ØO slashU+00d8
Ǿ
ǾO slash acuteU+01fe
Œ
ŒŒU+0152
Þ
ÞThornU+00de
Ŕ
ŔR acuteU+0154
Ř
ŘR caronU+0158
Ŗ
ŖR comma accentU+0156
Ŝ
ŜS circumflexU+015c
Š
ŠS caronU+0160
Ś
ŚS acuteU+015a
Ş
ŞS cedillaU+015e
Ș
ȘS comma accentU+0218
Ť
ŤT caronU+0164
Ț
ȚT comma accentU+021a
Ţ
ŢT cedillaU+0162
Ŧ
ŦT barU+0166
Ù
ÙU graveU+00d9
Ú
ÚU acuteU+00da
Û
ÛU circumflexU+00db
Ũ
ŨU tildeU+0168
Ü
ÜU dieresisU+00dc
Ū
ŪU macronU+016a
Ŭ
ŬU breveU+016c
Ů
ŮU ringU+016e
Ű
ŰU hungarumlautU+0170
Ų
ŲU ogonekU+0172
W graveU+1e80
W acuteU+1e82
Ŵ
ŴW circumflexU+0174
W dieresisU+1e84
Y graveU+1ef2
Ý
ÝY acuteU+00dd
Ŷ
ŶY circumflexU+0176
Ÿ
ŸY dieresisU+0178
Ź
ŹZ acuteU+0179
Ž
ŽZ caronU+017d
Ż
ŻZ dot accentU+017b

Accented Lowercases

à
àa graveU+00e0
á
áa acuteU+00e1
â
âa circumflexU+00e2
ã
ãa tildeU+00e3
ä
äa dieresisU+00e4
ā
āa macronU+0101
ă
ăa breveU+0103
å
åa ringU+00e5
ą
ąa ogonekU+0105
æ
ææU+00e6
ǽ
ǽæ acuteU+01fd
ć
ćc acuteU+0107
ĉ
ĉc circumflexU+0109
č
čc caronU+010d
ċ
ċc dot accentU+010b
ç
çc cedillaU+00e7
ď
ďd caronU+010f
đ
đdcroatU+0111
ð
ðethU+00f0
è
èe graveU+00e8
é
ée acuteU+00e9
ê
êe circumflexU+00ea
ě
ěe caronU+011b
ë
ëe dieresisU+00eb
ē
ēe macronU+0113
ĕ
ĕe breveU+0115
ė
ėe dot accentU+0117
ę
ęe ogonekU+0119
ĝ
ĝg circumflexU+011d
ğ
ğg breveU+011f
ġ
ġg dot accentU+0121
ģ
ģg comma accentU+0123
ĥ
ĥh circumflexU+0125
ħ
ħh barU+0127
ì
ìi graveU+00ec
í
íi acuteU+00ed
î
îi circumflexU+00ee
ĩ
ĩi tildeU+0129
ï
ïi dieresisU+00ef
ī
īi macronU+012b
ĭ
ĭi breveU+012d
ı
ıdotless iU+0131
į
įi ogonekU+012f
ij
ijijU+0133
ĵ
ĵj circumflexU+0135
ȷ
ȷdotless jU+0237
ķ
ķk comma accentU+0137
ĺ
ĺl acuteU+013a
ľ
ľl caronU+013e
ļ
ļl comma accentU+013c
ł
łl slashU+0142
ŀ
ŀl dotU+0140
ń
ńn acuteU+0144
ň
ňn caronU+0148
ñ
ñn tildeU+00f1
ņ
ņn comma accentU+0146
ŋ
ŋengU+014b
ò
òo graveU+00f2
ó
óo acuteU+00f3
ô
ôo circumflexU+00f4
õ
õo tildeU+00f5
ö
öo dieresisU+00f6
ō
ōo macronU+014d
ŏ
ŏo breveU+014f
ő
őo hungarumlautU+0151
ø
øo slashU+00f8
ǿ
ǿo slash acuteU+01ff
œ
œœU+0153
þ
þthornU+00fe
ŕ
ŕr acuteU+0155
ř
řr caronU+0159
ŗ
ŗr comma accentU+0157
ś
śs acuteU+015b
ŝ
ŝs circumflexU+015d
š
šs caronU+0161
ş
şs cedillaU+015f
ș
șs comma accentU+0219
ß
ßsharp sU+00df
ť
ťt caronU+0165
ț
țt comma accentU+021b
ţ
ţt cedillaU+0163
ŧ
ŧt barU+0167
ù
ùu graveU+00f9
ú
úu acuteU+00fa
û
ûu circumflexU+00fb
ũ
ũu tildeU+0169
ü
üu dieresisU+00fc
ū
ūu macronU+016b
ŭ
ŭu breveU+016d
ů
ůu ringU+016f
ű
űu hungarumlautU+0171
ų
ųu ogonekU+0173
w graveU+1e81
w acuteU+1e83
ŵ
ŵw circumflexU+0175
w dieresisU+1e85
y graveU+1ef3
ý
ýy acuteU+00fd
ŷ
ŷy circumflexU+0177
ÿ
ÿy dieresisU+00ff
ź
źz acuteU+017a
ž
žz caronU+017e
ż
żz dot accentU+017c

Lowercases

a
aaU+0061
b
bbU+0062
c
ccU+0063
d
ddU+0064
e
eeU+0065
f
ffU+0066
g
ggU+0067
h
hhU+0068
i
iiU+0069
j
jjU+006a
k
kkU+006b
l
llU+006c
m
mmU+006d
n
nn superscriptU+006e
o
ooU+006f
p
ppU+0070
q
qqU+0071
r
rrU+0072
s
ssU+0073
t
ttU+0074
u
uuU+0075
v
vvU+0076
w
wwU+0077
x
xxU+0078
y
yyU+0079
z
zzU+007a

Standard Ligatures

fi
fifiligaU+0066 U+0069
fl
flflligaU+0066 U+006c

Punctuation

-
-hyphenU+002d
en dashU+2013
em dashU+2014
(
(parenthesis leftU+0028
)
)parenthesis rightU+0029
[
[bracket leftU+005b
]
]bracket rightU+005d
{
{curly bracket leftU+007b
}
}curly bracket rightU+007d
guillemot single leftU+2039
guillemot single rightU+203a
«
«guillemot leftU+00ab
»
»guillemot rightU+00bb
|
|barU+007c
¦
¦broken barU+00a6
·
·period centeredU+00b7
@
@atU+0040
¡
¡exclam downU+00a1
¿
¿question downU+00bf
!
!exclamU+0021
?
?questionU+003f
.
.periodU+002e
:
:colonU+003a
,
,commaU+002c
;
;semicolonU+003b
ellipsisU+2026
_
_underscoreU+005f
quote leftU+2018
quote rightU+2019
quote double leftU+201c
quote double rightU+201d
quote single baseU+201a
quote double baseU+201e
'
'quote singleU+0027
"
"quote doubleU+0022
bulletU+2022
/
/slashU+002f
\
\back slashU+005c

Lining Figures

0
0zero figureU+0030
1
1one figureU+0031
2
2two figureU+0032
3
3three figureU+0033
4
4four figureU+0034
5
5five figureU+0035
6
6six figureU+0036
7
7seven figureU+0037
8
8eight figureU+0038
9
9nine figureU+0039

Oldstyle Figures

0
0zero oldstyle figureonumU+0030
1
1one oldstyle figureonumU+0031
2
2two oldstyle figureonumU+0032
3
3three oldstyle figureonumU+0033
4
4four oldstyle figureonumU+0034
5
5five oldstyle figureonumU+0035
6
6six oldstyle figureonumU+0036
7
7seven oldstyle figureonumU+0037
8
8eight oldstyle figureonumU+0038
9
9nine oldstyle figureonumU+0039

Numerators

0
0zero numeratornumrU+0030
1
1one numeratornumrU+0031
2
2two numeratornumrU+0032
3
3three numeratornumrU+0033
4
4four numeratornumrU+0034
5
5five numeratornumrU+0035
6
6six numeratornumrU+0036
7
7seven numeratornumrU+0037
8
8eight numeratornumrU+0038
9
9nine numeratornumrU+0039

Denominators

0
0zero denominatordnomU+0030
1
1one denominatordnomU+0031
2
2two denominatordnomU+0032
3
3three denominatordnomU+0033
4
4four denominatordnomU+0034
5
5five denominatordnomU+0035
6
6six denominatordnomU+0036
7
7seven denominatordnomU+0037
8
8eight denominatordnomU+0038
9
9nine denominatordnomU+0039

Prebuilt Fractions

¼
¼one quarterU+00bc
½
½one halfU+00bd
¾
¾three quartersU+00be

Symbols

&
&ampersandU+0026
%
%percentU+0025
perthousandU+2030
©
©copyrightU+00a9
®
®registeredU+00ae
trademarkU+2122
°
°degreeU+00b0
§
§sectionU+00a7
paragraphU+00b6
*
*asteriskU+002a
daggerU+2020
dagger doubleU+2021
#
#number signU+0023

Mathematical Symbols

+
+plusU+002b
minusU+2212
±
±plus minusU+00b1
×
×multiplyU+00d7
÷
÷divideU+00f7
=
=equalU+003d
not equalU+2260
approximately equal toU+2248
<
<lessU+003c
>
>greaterU+003e
less equalU+2264
greater equalU+2265
¬
¬logical notU+00ac
infinityU+221e
~
~ascii tildeU+007e
^
^ascii circumflexU+005e
µ
µmuU+00b5
integralU+222b
OmegaU+2126
π
πpiU+03c0
partial differentialU+2202
DeltaU+2206
productU+220f
summationU+2211
radicalU+221a
lozengeU+25ca

Currencies

$
$dollarU+0024
¢
¢centU+00a2
£
£pound sterlingU+00a3
¥
¥Japanese yen/Chinese yuanU+00a5
euroU+20ac
ƒ
ƒflorinU+0192
¤
¤currencyU+00a4

Ordinals

ª
ªordfeminieU+00aa
º
ºordmasculineU+00ba
 

About

Didot Elder is the first revival of a typeface by Pierre Didot the Elder, whose family has long been recognized for many generations as France’s leading publisher, printer, and punchcutter, with many notable patrons, including the French Monarchy. With its elegant and high-contrast forms Didot Elder perfectly reflects neoclassical principles, while presenting unique features drawn with an unprecedented sharpness.

Admired for the impeccable quality of their publications, the Didots are also celebrated for the design of a typeface bearing their name, which was exclusively used on their press. The Didot typeface is known to have an exclusively vertical axis, strong strokes contrast, and hairline serifs with no bracketing, as were its variants, until François Rappo developed Didot Elder based on a specimen published in 1819. Rappo’s version presents asymmetrical serifs, with regular and bracket-serif style happening simultaneously on certain letters and arrow-like serifs, on the letters “C,” “G,” “S,” and “s,” which were developed with the aim of accomplishing a very precise and authentic revival of the specimen.

About